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Thursday, October 15, 2026
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Ballet Star Matthew Ball on Grueling Roles and Social Media Attention: 'I'm Not Precious About My Body'

Within the quiet atmosphere of a hotel bar near London's Royal Ballet, Matthew Ball requests a mint tea. The dancer's carriage is effortlessly straight-backed, his limbs muscular beneath a plain white T-shirt. On stage, ballet dancers can seem as powerful gods, yet often in person they are petite. Not so Ball, whose height is one reason for his popularity for heroic characters and pas de deux work. Possessing fine features and intense eyes, there's a touch of a brooding actor about him.

A Seamless Ascent to the Pinnacle

Now 31, Ball is enjoying the crest of a career that has advanced seamlessly. Growing up in Liverpool, he faced minimal ridicule for his early interest in ballet. Entering the Royal Ballet School at 11, he moved straight into the company and was advanced annually, attaining the top rank of lead dancer in 2018. He has relished tackling meaty dramatic roles, particularly the emotional turmoil found in Kenneth MacMillan's ballets.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

His next starring appearance is as himself, in an "Evening With" series designed to offer behind-the-scenes insights into a dancer's art. He will walk the audience through a part, demonstrating his mental workflow during performance. Yet in more comedic ballets, the test is profound. "Don Quixote is one of the toughest technically," he states.

The Mental Game and Post-Performance Emotions

How does he feel following a performance, when he has succeeded? "It feels pretty good," he says. "However because I'm trying to extract all the juice out of it, and get lost in the character, quite often I do feel embarrassed afterwards. After an intense role I'm always like: God, what must people think?"

In person, Ball is reflective, polite, and quick to laugh at himself. Yet a choreographer previously remarked on a "kind of suffering in him." Does this exist? "I'm quite energetic usually, but I do have a dark side," he confesses. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an catalyst for good change."

Early Motivations and Artistic Influences

His determination originated in early experiences. Not excelling in competitions at school made him "vengeful!" This became motivation to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he recalls.

The next endeavor is creating his own dance works. In his view, "there's nothing wrong with." "Breaking the rules is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with substance, drawing ideas from books, music, and painting.

Intimate Performance and Personal Dynamic

He additionally favors presenting dance in more intimate spaces. "It was just really thrilling," he says of a past show. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a person, and they’re sweating.'"

Ball has made pieces with his girlfriend, fellow principal Mayara Magri. The degree of faith between them is clear. "We first practiced on a beach," he says of a audacious lift. "It was like Dirty Dancing." The couple aren’t usually paired on stage at their main theater, which might be healthy. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s favorite supporter."

Regarding Instagram and Bodily Image

On social media, followers can see videos from his dance films and images that showcase a athletic physique. Does he mind that the response can be somewhat objectifying? Not particularly. "The body is just what we use, so I don’t feel very precious about it," he explains. He compares it to viewing Michelangelo’s David—something that can be seen on multiple ways.

Ball characterizes his younger self as "desperate for success." Has it lived up to his hopes? "I feel very aware of how life is a different thing to the aspirations you had as a child," he muses. He likely has another ten years of performing left. "I suppose in the future, I want to be a bit more kind with myself."

The writer

Bryan Morris

A tech journalist and digital strategist with over a decade of experience covering UK innovation and startup ecosystems.

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